Mušḫuššu (the Ishtar Gate dragon)
The mušḫuššu, “furious serpent”, is the dragon of Babylon: a scaly beast with a horned snake’s head, a lion’s forelegs, an eagle’s hind talons and a stinging tail. It was the animal of the god Marduk, and it strides in rows along the blue walls of the Ishtar Gate.
Meaning
The Detroit Institute of Arts, which owns one of the dragons from Babylon, gives the name as mushhushshu, pronounced “moosh-hoo-shoo”, and translates it as “furious serpent”; the Oracc guide to the gods calls it the “snake-dragon”. It is made of four dangerous animals: a snake’s head and scales, a lion’s legs in front, an eagle’s talons behind and a tail that ends in a scorpion’s sting. Robert Koldewey, who excavated it, saw in the head the horned viper of Arabia, with a forked tongue and two horns, only one of which shows in profile, and noted curls of hair on the neck in spite of the scales. It was the animal of Marduk, the god of Babylon. Today the dragons of the Ishtar Gate are seen in the reconstructed gate in Berlin and in single panels in museums elsewhere, among them Detroit.
Origin and history
The dragons belong to the Babylon of Nebuchadnezzar II (604–562 BC), who rebuilt the city. The Ishtar Gate, one of the eight gates into Babylon, was nearly five storeys tall and stood on the Processional Way, the ceremonial road into the city; the Detroit Institute of Arts describes it covered in millions of vivid blue tiles, glazed bricks that formed the images of its animals. On its walls bulls and dragons alternate, Koldewey reported: never mixed in one row, a row of bulls is followed by a row of dragons, each animal thirteen brick courses high with eleven plain courses between them, and only on the parts of the wall a passer-by could see. The Processional Way beyond was lined with lions. Koldewey matched each animal to a god. The lion was Ishtar’s, the bull belonged to Ramman, the weather god, and the dragon was the sacred animal of Marduk and of his son Nabu, as on seals and boundary stones of the time.
The Staatliche Museen zu Berlin say their department of Near Eastern antiquities was founded that year after the coloured bricks of the gate and the Processional Way were found, and that the gate, the Processional Way and Nebuchadnezzar’s throne room now stand along the central axis of the Vorderasiatisches Museum, their dark blue walls decorated with the lions, bulls and dragons of Babylon’s chief gods.
Sirrush and the living dinosaur
Older books call the creature the sirrush, the reading of its name in Koldewey’s day; L. W. King’s 1902 edition of Enūma eliš transliterates it sir-ruššu. Koldewey, publishing in 1914, compared it with a dinosaur. The mixture of scales and hair, the different front and back legs, the small head on a long neck were, he wrote, “very characteristic of the prehistoric dinosaur”, and “if only the forelegs were not so emphatically and characteristically feline, such an animal might actually have existed.” He also guessed that the priests of Marduk’s temple kept some reptile in a dark chamber and showed it as a living dragon, which would explain the story of Bel and the Dragon in the Apocrypha. Both ideas were his own surmises. The Detroit Institute of Arts describes the beast as a body made up of four dangerous animals, and it stands for the god Marduk.
Among Tiamat’s monsters
In King’s translation of Enūma eliš, Tiamat prepares for war against the gods by creating an army of monsters: “She set up vipers, and dragons, and the (monster) Lahamu”. The word he translates “dragons” is the one he transliterated sir-ruššu. In the poem Marduk defeats Tiamat; in Babylon’s art the dragon is his own animal.
The lions and bulls beside it
The Ishtar Gate is named for Ishtar, and its dragons share the walls with other animals of the gods. The Oracc guide describes the gate’s glazed reliefs as the symbol animals of Ištar and Marduk; Koldewey adds that the lion, Ishtar’s animal, was a favourite subject in Babylonian art at all times, while the bull and above all the dragon were unusual choices for the main gate of the city.
Read next
- Next in Mesopotamian symbols and godsLamassuA lamassu is an Assyrian protective spirit with a bearded human head, the body of a bull or a lion and the wings of a bird. Colossal stone pairs of them guarded the gateways of Assyrian palaces in the ninth to seventh centuries BC, to turn back evil.
- In Symbols across culturesDragons across culturesA dragon is a great serpent, often with legs, wings or fire, and its meaning splits by region. In Europe and the ancient Near East it is chaos or evil, killed by a god or hero; in China and Japan it is a helpful power of water and rain, and the emblem of emperors.
See also
Marduk, Cuneiform, Inanna (Ishtar), Star of Ishtar, Enki (Ea), Assyrian winged disc.
Sources
- Talons, teeth, scales, stingers: the fierce Babylonian mushhushshu (Detroit Institute of Arts), Detroit Institute of Arts blog, on the Mushhushshu-dragon, Symbol of the God Marduk, Detroit Institute of Arts, page text
- The Excavations at Babylon (Robert Koldewey, 1914), Robert Koldewey, The Excavations at Babylon, trans. Agnes S. Johns (London: Macmillan, 1914), ch. VII, pp. 39–49, Internet Archive (out-of-copyright scan, Columbia University Libraries), page text
- Marduk (god) (Nicole Brisch, Ancient Mesopotamian Gods and Goddesses), Nicole Brisch, “Marduk (god)”, Ancient Mesopotamian Gods and Goddesses, Oracc and the UK Higher Education Academy, 2019, Oracc (Open Richly Annotated Cuneiform Corpus), University of Pennsylvania, page text
- Inana/Ištar (goddess) (Yağmur Heffron, Ancient Mesopotamian Gods and Goddesses), Yağmur Heffron, “Inana/Ištar (goddess)”, Ancient Mesopotamian Gods and Goddesses, Oracc and the UK Higher Education Academy, 2019, Oracc (Open Richly Annotated Cuneiform Corpus), University of Pennsylvania, page text
- Vorderasiatisches Museum: the collection (Staatliche Museen zu Berlin), Staatliche Museen zu Berlin, Vorderasiatisches Museum, “Collection”, Staatliche Museen zu Berlin, page text
- The Seven Tablets of Creation, vol. 1 (L. W. King, 1902), L. W. King, The Seven Tablets of Creation, vol. I (London: Luzac, 1902), Tablets I and IV, translation and transliteration, Internet Archive (out-of-copyright scan), page text
The same shape elsewhere
Browse symbols formed from curves and waves or lines.
Researched, edited and approved by Rory Hansen before publishing. Last reviewed October 8, 2026. How we research
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