Stupa
A domed monument built over relics of the Buddha or his disciples. Its shape is read as the Buddha seated in meditation.
Meaning
In the reading Tricycle describes, the base is the Buddha's crossed legs, the rounded dome his shoulders, and the square harmika at the top, with its painted eyes, his head. The Tibetan form, the chorten, is also read as the elements: according to BuddhaNet, its square foundation is earth, the dome water, thirteen tapering steps fire, the Parasol above them wind, and a sun and moon at the very top.
Origin and history
The stupa is older than Buddhism. Cairns were raised in ancient India over the remains of kings and heroes, and the stupa's architecture grew out of the pre-Buddhist grave mound. In the Mahaparinibbana Sutta, the Buddha tells Ananda that a stupa should be raised for him at a crossroads, as for a universal monarch, and names four kinds of person worthy of one: a Buddha, a paccekabuddha, a disciple of a Buddha and a universal monarch. After his cremation, the same text says, his relics were divided into eight equal portions, "so it came about that there were eight stupas for the relics, a ninth for the urn, and a tenth for the ashes". In the earliest Buddhist reliefs the stupa is one of the signs that stand for the Buddha, who is not shown himself: Foucher connects it with Kushinagara, the place of his death, and Grünwedel with the stupas raised in his memory. Alice Getty (1914) describes the form that followed: a square base of several steps, a dome, and a spire carrying five to twelve discs, one above another, which stand for parasols as signs of authority. As stupas developed, she writes, the base and the spire grew at the expense of the dome.
Stupas along the Rio Grande
Between 1983 and 1996, six Tibetan-style stupas were built in a line along the Rio Grande, from Albuquerque, New Mexico, north to Crestone, Colorado. Tricycle's account of them describes what the work involved: fire pujas for fair weather, and hundreds of thousands of tsa-tsas, tiny clay stupas, made to be sealed in the bumpa, the round chamber below the spire. The same article counts eight traditional architectural styles of stupa.
See also
Dharmachakra, Bodhi leaf, Triratna, Parasol, Pair of golden fish, Treasure vase.
Sources
- Maha-parinibbana Sutta: Last Days of the Buddha (DN 16), Sister Vajira and Francis Story (translators), Buddhist Publication Society, via Access to Insight, ch. 5, §§11, 12; ch. 6, §§33–43
- Symbolism of the Stupa / Chorten, BuddhaNet, Buddha Dharma Education Association
- Stupas Along The Rio Grande, Tricycle: The Buddhist Review
- The Gods of Northern Buddhism, Alice Getty, with an introduction by J. Deniker, 1914, Clarendon Press, Oxford (Internet Archive)
- The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology, A. Foucher, 1917, Paul Geuthner, Paris; Humphrey Milford, London (Internet Archive)
- Buddhist Art in India, Albert Grünwedel, trans. Agnes C. Gibson, rev. James Burgess, 1901, Bernard Quaritch, London (Internet Archive)
Last reviewed September 24, 2026 by Rory Hansen. How we research