Hamsa
An open hand, often with an eye in the palm, that Jews wear and hang in their homes as an amulet against the evil eye, an amulet they share with Muslims in North Africa and the Middle East.
Meaning
The hamsa is a hand-shaped amulet, drawn sometimes like a real hand and sometimes symmetrically, with a second thumb in place of the little finger. It is also called the hand of Miriam, after Moses’ sister, and the hand of Fatima, after the Prophet Muhammad’s daughter; khamsa is Arabic for “five”. Jews have used it to call on the hand of God, or to turn away the evil eye with the eye in its palm. Some hamsas carry fish, after a teaching in the Talmud (Berakhot 55b) that the descendants of Joseph are protected from the evil eye as fish are covered by the sea; others carry the Star of David, the Shema or a blessing for the home. In Israel it is on necklaces, keychains and walls, as common there as the Star of David, according to My Jewish Learning. Muslims use the same hand, as the khamsa, and a 2014 Haverford College exhibition of Moroccan khamsas found it in Christian traditions of North Africa and the Middle East too.
Origin and history
Where the hamsa began is disputed. It has been read as a Jewish, Christian or Islamic amulet and as a pagan fertility sign, My Jewish Learning reports. The art historian Walter Leo Hildburgh suggested Christian roots, in images of Mary holding her hand in the “fig” pose; Ahmed Achrati of the University of Chicago points out that open hands appear in Palaeolithic caves in France, Spain, Argentina and Australia, so the form need not have begun in religion. Noelia Silva Santa-Cruz, an art historian at the Complutense University of Madrid, finds no written evidence for the origin of the hand of Fatima, and notes that in al-Andalus the earliest known examples date from the Almohad period. The Judaica collector William Gross told JNS that the hand appears in jewellery from the 12th century, among both Muslims and Jews. When Jews took it up is unclear, though it is a Sephardic symbol. Amulets sit uneasily in Judaism, because the Bible forbids magic and divination, but the Talmud mentions them several times. The British Museum describes hand amulets in the Middle East and North Africa as a belief that goes back millennia, used by Muslims or Jews against the “eye of envy”. The Jewish Museum in New York has a 19th-century Moroccan Hanukkah lamp with a hamsa at the centre of its backplate.
Hand of Miriam, hand of Fatima
Jews call the hand after Miriam, Moses’ sister, and Muslims after Fatima, the Prophet’s daughter; Curationist records that it is sometimes called the hand of Mary too. Silva Santa-Cruz finds no documented episode in Fatima’s life that connects her with the symbol. One explanation of the name credits the French soldiers in North Africa, who called Algerian and Tunisian women “Fatima” with contempt; more recent studies, she writes, connect it with Fatima al-Zahra herself. Muslims read the five fingers in their own ways. In Sunni tradition they are the five pillars of Islam, and in Shia tradition the five holy members of the Prophet’s family, Muhammad, Ali, Fatima, Hasan and Husayn. Silva Santa-Cruz sees both readings as the Islamising of a belief of Berber origin.
The hand across faiths
Silva Santa-Cruz traces the hand’s spread with the expansion of Islam and then, in the late Middle Ages, into the Christian and Jewish worlds in contact with Islam; Sephardic Jews, she writes, have often used the open hand as an amulet to guard people and homes. In the 15th-century Spanish kingdoms, small hand-shaped pendants called gumças, a word that seems to come from khamsa, were pinned on children’s clothes to protect them. A group of glazed baptismal fonts made in Toledo in the mid-15th century, among them one from the church of Camarenilla and one now at the Hispanic Society of America in New York, alternate the hand with fleur-de-lis crosses and the monogram JHS.
Jewish and Muslim craftsmen made the same things. William Gross, quoted by JNS, found that “the folk art of Jews and Muslims was strikingly similar”. A gilded silver necklace from Tunisia, shown at the Museum for Islamic Art in Jerusalem, carries four filigree hamsas against the evil eye and a fish for fertility, on chains of flattened rings that were a trademark of Jewish goldsmiths in Tunisia.
The eye in the palm
Many hamsas carry an eye, and it is there for the evil eye. My Jewish Learning suggests Jews used the hamsa to counteract the evil eye with the eye in its palm, and Silva Santa-Cruz writes that the eyes sometimes set inside medieval hands of Fatima add to the hand’s power as a talisman against it. The open hand is itself a reply to the look: she notes that it has the same force as the words hamsa fi ʿayni-k, “five in your eye”, said against someone thought to be casting the evil eye. Red and blue, both said to thwart the evil eye, have found their way into the hamsa too, My Jewish Learning notes.
East and West
An outstretched hand was thought to stop the evil eye, the Encyclopaedia Judaica explains. It records that a metal amulet in the shape of an open palm, with blue paint, is still widely used against the evil eye in Mizrahi (“Oriental”) Jewish communities, while among Yiddish-speaking Ashkenazi Jews the custom is to follow any praise with keyn ayen hore, “may there be no evil eye”.
At weddings
In some Sephardic communities a bride may wear a hamsa at her henna ceremony, when she is decorated with henna before the wedding, as protection against the evil eye.
Worn today
The hamsa is sold in Judaica shops around the world and, My Jewish Learning notes, by department stores such as Sears and Saks Fifth Avenue; people hang it in their homes, and it dangles from the rear-view mirrors of taxis and trucks. It is worn on necklaces, bracelets and earrings. The Encyclopaedia Judaica describes silver hand amulets and jewellery as very common in Jewish communities in Islamic lands, especially for newborn babies, children and women, thought most open to the evil eye, and records that local rabbis read the hand and the fish as symbols with "deep Jewish meanings".
In 2018 the Museum for Islamic Art in Jerusalem gave an exhibition to 555 hamsas. Its curators, Shirat Miriam Shamir and Ido Noy, describe how a traditional object with a magical role in Muslim and Jewish culture became an icon of popular culture, on billboards, in shops and public buildings, on key rings and in cars, and write that it had become an integral part of Israeli identity. They bought hamsas made for tourists at market stalls in Jerusalem’s Old City, and hamsas for local buyers in the one-shekel shops of Jaffa Road and at the Mahaneh Yehuda market. Further afield, My Jewish Learning traces a new public for hamsas to the revival of interest in Kabbalah, due in part to celebrities such as Madonna, and Silva Santa-Cruz notes that people in the West now commonly wear the khamsa on necklaces and bracelets.
Medieval Jewish authorities disagreed about amulets. Maimonides warned against "the error of those who write amulets" in his Guide for the Perplexed, while other medieval authorities, Nahmanides among them, permitted them, the Encyclopaedia Judaica records.
A hamsa tattoo?
A hamsa inked on the skin meets a separate Jewish rule. The Torah forbids tattooing, in the words of Leviticus 19:28, "You shall not make gashes in your flesh for the dead, or incise any marks on yourselves". A responsum by Rabbi Alan Lucas for the Conservative movement, published by My Jewish Learning, keeps the prohibition but rejects a common belief: a Jew with a tattoo may still be buried in a Jewish cemetery.
Read next
- Next in Jewish symbolsHanukkiahThe nine-branched lamp lit at Hanukkah: eight lights, one for each night of the festival, and a ninth, the shamash, that lights the others.
- In Islamic symbolsKhamsaAn open hand, the “hand of Fatima”, used as an amulet across North Africa and the Middle East by Muslims and by Jews.
See also
Evil eye (nazar), Star of David, Menorah, Chai, Tablets of the Covenant, Shofar.
Sources
- What Is A Hamsa?, My Jewish Learning, article
- Pendant, amulet (hand of Fatima or khamsa), RRM46563, The British Museum, Albukhary Foundation Gallery of the Islamic World, object description
- Accumulations: Hanukkah Lamps (exhibition release), The Jewish Museum, New York, exhibition highlights
- Evil Eye, Encyclopaedia Judaica, via the Jewish Virtual Library (American-Israeli Cooperative Enterprise)
- Amulet (Encyclopaedia Judaica), Encyclopaedia Judaica, Gale, via Encyclopedia.com, entry “Amulet”
- The Guide for the Perplexed (Friedländer translation), Moses Maimonides, translated by M. Friedländer (1910), Project Gutenberg, Part I, chapter 61
- Tattooing in Jewish Law, Rabbi Alan Lucas, My Jewish Learning, article
- Tattoo (Encyclopaedia Judaica), Encyclopaedia Judaica, Gale, via Encyclopedia.com, entry “Tattoo”
- La mano de Fátima, Noelia Silva Santa-Cruz, Revista Digital de Iconografía Medieval 5 (10), 2013, pp. 17–25, Universidad Complutense de Madrid, pp. 17–21
- Khamsa, Khamsa, Khamsa (exhibition), Curators Shirat Miriam Shamir and Ido Noy, 24 May – 24 November 2018, The Museum for Islamic Art, Jerusalem, exhibition text
- Exhibit at Museum for Islamic Art features Jewish jewelers from the Arab world, JNS (Jewish News Syndicate), article
- KHAMSA: Amulets of North Africa, exhibition, Magill Library, 2014, Haverford College, exhibition text
- Protection from the Evil Eye, Reina Gattuso, September 2025, Curationist, editorial feature
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Researched, edited and approved by Rory Hansen before publishing. Last reviewed September 30, 2026. How we research
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