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Plate 1 A spear with a broad leaf-shaped blade on a long shaft, three rings where blade and shaft meet

Murugan

Murugan, also called Kartikeya, Skanda and Subrahmanya, is the son of Shiva and Parvati, worshipped above all by Tamil Hindus. He holds the vel, a leaf-bladed spear, rides a peacock and has the rooster as his emblem.

Hindu deities and their symbols. Also called Kartikeya, Karttikeya, murugan symbol, murugan symbols, Murugan vel, Skanda, Subrahmanya, vel.

Meaning

The Himalayan Academy calls Kartikeya, “child of the Pleiades”, a son of Shiva worshipped in all parts of India and the world, known also as Murugan, Kumara, Skanda, Subrahmanya and other names. Murugan, “beautiful one”, is the name Tamils use for him in South India, Sri Lanka and elsewhere. The Hindu American Foundation traces him in Tamil Nadu to Ceyon, who in the Tolkappiyam, the oldest surviving treatise on Tamil grammar and poetics, presides over the mountains and whose devotional stature rose above the region’s other gods. Followers of the Kaumaram traditions worship him as the Supreme Being, and Sri Lankan Buddhists honour him as Kataragama Deviyo, a guardian of the island. A 140-foot golden statue of him stands near the entrance to Malaysia’s Batu Caves.

Origin and history

The Hindu American Foundation tells his birth as Tamil tradition has it. A tyrant named Surapadman had won a boon that made him almost invincible, and the gods turned to Shiva, who sent out six fiery sparks. They were carried to a lake, Saravana Pogai, divided among six lotus flowers and grew into six divine children, and Parvati embraced them and merged them into one boy with six faces. The faces stand for the mind and the five senses. Before his battle with Surapadman, Parvati armed him with the vel. Surapadman, beaten, turned himself into a mango tree, and Murugan split it in two with a stroke of the spear; Surapadman’s pride died, and he became a peacock and a rooster, which Murugan took as his mount and his emblem.

He has two wives, the foundation adds: Devayani, daughter of Indra, king of the gods, and Valli, raised by a hunter chieftain in the foothills of Kurinji.

The vel

The vel (Tamil for “spear, lance”; sula in Sanskrit) is his emblem. The Himalayan Academy calls it the symbol of his divine authority as Lord of yoga and commander of the gods, and the vel of jnana shakti, his power to vanquish darkness or ignorance. In the Hindu American Foundation’s account of Thaipusam, the vel is honoured as a harbinger of wisdom.

The peacock and the rooster

Murugan rides the peacock, mayura, which the Himalayan Academy calls an emblem of beauty and regality. The rooster is the emblem on his banner. Both, in the foundation’s telling, were once the tyrant Surapadman, whose pride died under the spear.

God of war?

One museum label does. The Cleveland Museum of Art’s label for a Kalighat painting of about 1890 calls him the god of war, son of Shiva and Parvati, born to destroy the demon Taraka, and shows him astride his peacock. The Hindu American Foundation answers that colonial writers reduced him to a pagan “God of War” and that most of his story has nothing to do with bloodshed or battle. The Himalayan Academy names Skanda, “leaping one”, as one of his oldest names and his form as a scarlet-hued warrior god.

Thaipusam and the kavadi

His greatest festival is Thaipusam, at the full moon of the Tamil month of Thai in January or February. The Himalayan Academy notes that it is kept with great intensity in India, Sri Lanka, Malaysia, Fiji, South Africa and Réunion, and is a national holiday in Mauritius and Singapore. Devotees carry a kavadi, a decorated wooden frame from which hang pots of milk for his ritual bathing; the foundation describes pots of milk, fruit or honey tied to either end of a pole and carried long distances to his shrines. Other festivals mark other parts of his story: Skanda Shashti his victories, Panguni Uttiram his marriages, Vaikasi Visakam his appearance and Aadi Krithigai his upbringing.

See also

Ganesha, Shiva, Parvati, Lakshmi, Rama, Krishna.

Sources

  1. Dancing with Śiva: glossary (Kārttikeya, Murugan, kavadi), Satguru Sivaya Subramuniyaswami, Dancing with Śiva: Hinduism’s Contemporary Catechism, glossary, Himalayan Academy (Kauai’s Hindu Monastery), glossary, s.v. Kārttikeya, Murugan, kavadi
  2. Dancing with Śiva: glossary (Skanda, Skanda Shashṭhī), Satguru Sivaya Subramuniyaswami, Dancing with Śiva: Hinduism’s Contemporary Catechism, glossary, Himalayan Academy (Kauai’s Hindu Monastery), glossary, s.v. Skanda, Skanda Shashṭhī
  3. Dancing with Śiva: glossary (Tai Pusam, vāhana, vel), Satguru Sivaya Subramuniyaswami, Dancing with Śiva: Hinduism’s Contemporary Catechism, glossary, Himalayan Academy (Kauai’s Hindu Monastery), glossary, s.v. Tai Pusam, vāhana, vel
  4. 5 things to know about Murugan (Syama Allard, Hindu American Foundation), Syama Allard, “5 things to know about Murugan”, Hindu American Foundation, 2025, Hindu American Foundation, article text
  5. Kartikeya, from a Kalighat album (2003.151, Cleveland Museum of Art), Kartikeya, from a Kalighat album, c. 1890, Cleveland Museum of Art, 2003.151, collection description, Cleveland Museum of Art, Description

The same shape elsewhere

Researched, edited and approved by Rory Hansen before publishing. Last reviewed October 10, 2026. How we research

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