Egyptian hieroglyphics
Signs from ancient Egyptian hieroglyphic writing and religious art.
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Also in: Ancient symbols
- Eye of HorusThe eye of the god Horus, torn out in his fight with Set and made whole again: as the uzat or utchat, one of the commonest amulets of ancient Egypt.
- ScarabThe dung beetle, kheper, made into countless Egyptian amulets: the sign of the god Khepera and of new life after death.
- Djed pillarA pillar crowned with four crossbars that stood for stability and endurance, later read as the backbone of the god Osiris.
- Was sceptreThe uas, a staff that Flinders Petrie read as a shepherd’s stick: a sign of guidance and of rule.
- Shen ringA circle of cord, the shen: a sign of eternity to Wallis Budge, and of the fullness of life to Flinders Petrie.
- CartoucheThe oval ring drawn around a royal name in hieroglyphs. As an amulet, Petrie wrote, it was meant to preserve the name.
- TyetThe tyet, called the girdle or buckle of Isis: an amulet meant to bring the protection of Isis to the dead.
- Crook and flailThe shepherd’s crook and the flail, emblems of rule that a hymn to Osiris says the god received as prince of gods and men.
- UraeusThe cobra worn on the brow of Egyptian kings, a sign of royal power; in Egyptian myth, serpent goddesses took its form.
- Feather of MaatA single ostrich feather, the emblem of Maat: right and truth, against which the heart of the dead was weighed.
- Winged sun diskThe sun disk with outstretched wings, carved above temple doorways: the form Horus of Behutet took, in Egyptian myth, to fight the enemies of Ra.
- BaA bird with a human head: the ba, usually translated soul, the part of a person that could leave the tomb.
- AnkhThe ancient Egyptian hieroglyph for “life”: a T shape with a loop on top, held by the gods and worn as an amulet.
- Eye of RaThe sun god Ra’s own eye, thought of as a goddess who could leave him and act on her own: as Hathor or the lioness Sekhmet she punished rebellious humans, and as the cobra on his brow she guarded him. It is a different idea from the eye of Horus, though Egyptian texts let the two overlap.
About egyptian hieroglyphics
Egyptian symbols such as the Ankh and the eye of Horus are hieroglyphs, signs of the Egyptian writing system. The hieroglyphs were pictures, and each could work in more than one way. A picture could stand for the thing it showed, or for an idea: the British Museum's 1909 guide gives a wall leaning to one side for "falling" and the sky with a star hanging from it for "night". Signs used this way are called ideographs. Other signs stood for sounds, and scribes spelled words with them without any regard to what the pictures showed. Because a word spelled out in sounds could mean more than one thing, they added a sign called a determinative to say which was meant: the same word meant "to stand" when followed by a pair of legs, and "boat" when followed by a boat.
The pages here take thirteen of the signs, among them the Ankh, the Djed pillar, the Scarab and the eye of Horus, and follow each from the script into the amulets and the royal and religious art of ancient Egypt. What they meant is told as the Egyptians of the time believed it, and where the scholars who catalogued them disagreed, both readings are given.
Signs worn as amulets
Many of these signs were also made as amulets. Flinders Petrie, cataloguing the amulets at University College London in 1914, put them in a class that worked by symbolism rather than by likeness: the Djed pillar for stability, the shen for the fullness of life, the Cartouche to preserve a name. Wallis Budge's Egyptian Magic (1901) notes that the Tyet was usually made of a red stone, while the eye of Horus was made of almost anything, from gold to wood.
Signs of kings and gods
Others belonged to rulers and to the gods. A king's name was written inside a Cartouche; the crook and flail were emblems of rule; the Uraeus cobra sat on the royal brow. The winged sun disk was carved over the entrances to temples, and the feather of Maat was weighed against the heart of the dead at their judgment.
Which way do you read hieroglyphs?
Towards the faces. The people, birds and animals in a line of hieroglyphs look towards its beginning, so a reader starts from the side they face; Adolf Erman’s grammar of 1894 and Wallis Budge’s First Steps in Egyptian both give this rule. Erman adds that the writing properly ran from right to left, and from left to right only as an exception, for decoration. Signs were written in columns as well as in lines.
Who invented hieroglyphs?
The Egyptians gave the credit to Thoth, the ibis-headed god of the moon and scribe of the gods. The British Museum’s 1909 guide records that the invention of writing was assigned to him, and Erman describes him as the judge in heaven “who gave speech and writing”.
Sources
- A guide to the Egyptian collections in the British Museum, British Museum, 1909 (introduction by E. A. Wallis Budge), Harrison and Sons, London (Project Gutenberg), Chapter on Egyptian writing
- Amulets, illustrated by the Egyptian collection in University College, London, W. M. Flinders Petrie, 1914, Constable and Company, London (Internet Archive), Introduction; Nos. 35, 78, 81
- Egyptian Magic, E. A. Wallis Budge, 1901, Internet Archive (Getty Research Institute copy), Chapter II, Amulets
- Egyptian Grammar, Adolf Erman, translated by James Henry Breasted, 1894, Williams and Norgate, London (Internet Archive), §§ 5–7
- First Steps in Egyptian, E. A. Wallis Budge, 1895, Kegan Paul, Trench, Trübner, London (Internet Archive), Chapter I
- A Handbook of Egyptian Religion, Adolf Erman, translated by A. S. Griffith, 1907, Archibald Constable, London (Internet Archive), pp. 11–12
Researched, edited and approved by Rory Hansen before publishing. Last reviewed September 30, 2026. How we research