Old SymbolsWhere every symbol began

Plate 1 A capital A inside a circle, its legs and crossbar reaching past the ring

Anarchy symbol (Ⓐ)

The anarchy symbol is a capital A inside a circle, the sign of anarchism. A group of young anarchists in Paris proposed it in April 1964 as a mark for the whole movement; it spread from Milan after 1966 and reached a wider public through punk in the 1970s.

Modern symbols. Also called Ⓐ, anarchy sign, anarchy symbol, anarchy symbol meaning, circle a.

Meaning

The A is for anarchy. The Young Libertarians of Paris (Jeunes Libertaires) wanted a sign that was quick to paint beneath slogans on walls and broad enough for every current of anarchism, and so belonged to no single group. Tomás Ibáñez, who proposed it, writes that the aim was for the symbol “to be owned by no one so it could belong to all”; René Darras drew it. Anarchists worldwide have taken it up on walls, flags, banners, publications and tattoos, and Ibáñez calls it “arguably” the most widespread political symbol in the world. The circle is often read as an O for order, after the anarchist Pierre-Joseph Proudhon, but the symbol’s makers say they never meant it that way.

Origin and history

The circled A first appeared on the cover of the Paris Jeunes Libertaires bulletin in April 1964, as a symbol the group proposed “to the whole anarchist movement”. Their text gave two reasons: to save the time of signing slogans painted on walls, and to make anarchism more visible by giving all its expressions one shared sign. Ibáñez, who suggested it, says the search for a design and the final choice were the group’s, and one person drew it on the stencil. Amedeo Bertolo and Marianne Enckell, in their history of the symbol (2001–2002), ask whether the idea came from the plain design itself or from the anti-nuclear sign of the Campaign for Nuclear Disarmament, already widespread by then, and leave the question open.

It was slow to catch on. Apart from some graffiti in the corridors of the Paris metro, Bertolo and Enckell write, the 1964 proposal had no success; the circled A headed an article by Ibáñez in Action Libertaire that December, and the Paris bulletin then lapsed from 1965 to 1967. Young anarchists from Milan met it at a European meeting of young anarchists in Paris in April 1966, and it was used experimentally that year and regularly from 1968 by the Gioventù libertaria of Milan, as the signature on its leaflets and posters, sometimes beside the anti-nuclear sign and the apple of the Dutch Provos. From Italy it spread worldwide. Hardly any were seen in Paris in May 1968; the first traces there date from 1972–73. Bertolo and Enckell put its success down to two things: it is as simple to draw as a cross or a star, and a young movement had learned to write on walls and wanted a sign. No organisation ever decreed its use.

Is the circled A older than 1964?

No. Ibáñez writes that before April 1964 an A in a circle had never stood for anarchy: “No poster, no graffiti, nor any trace whatsoever.” Letters A in circles existed for centuries before then, he notes, with no connection to anarchism. He answers the older claims one by one. The seal of the Spanish section of the International Workers’ Association, said to show a circled A from 1870, combines a square and a plumb line and is closer to freemasonry than to anarchism; the section did not then call itself anarchist. The circled A said to be painted on a militiaman’s helmet in a photograph with Durruti is, Bertolo and Enckell write, a target; the symbol was absent from the Spanish Revolution. The Alliance Ouvrière Anarchiste, a small French-speaking anarchist group, says it used the sign for its initials in correspondence from the late 1950s. What its bulletin printed, according to Ibáñez, was a monogram of A, O and A nested inside one another, and the circled A first appeared in it in June 1968.

Does the circle stand for order?

Not to the people who made it. A common reading takes the A for anarchy inside an O for order, after Proudhon, who in What Is Property? (1840) called himself “a firm friend of order” and “an anarchist”, and wrote: “As man seeks justice in equality, so society seeks order in anarchy.” The Victoria and Albert Museum gives that reading in its notes on Simon Periton’s print Eclipse (2003): “a capital ‘A’ for ‘anarchy’ within an ‘O’ for ‘order’”. Ibáñez calls it false. The young libertarians never conceived it, he writes, and the symbol has no connection with Proudhon’s idea or with the notion of order.

How punk changed it

The V&A writes that the symbol became common in popular culture through its use in punk rock graphics in the 1970s. Ibáñez agrees that punk revived it, and credits punk above all with the variety of its later forms, some “transcending the confines of a closed circle”. He reads that variety as part of the design: since anyone may use the sign freely, it answers only to the person drawing it.

See also

Sigils, Schrödinger’s cat, Infinity symbol (∞), Autism infinity symbol, Neurodiversity symbol, Semicolon tattoo.

Sources

  1. The circled A at 60 part one: Birth of a symbol, Tomás Ibáñez, 5 April 2024 (republished 23 August 2024), Freedom (Freedom Press)
  2. The circled A at 60: True and false, Tomás Ibáñez, 12 April 2024, Freedom (Freedom Press)
  3. The circled A at 60: The true story, Amedeo Bertolo and Marianne Enckell, 19 April 2024 (first published 2001–2002), Freedom (Freedom Press)
  4. Eclipse (Victoria and Albert Museum), Simon Periton, Eclipse, print from the portfolio Diamond Dust Volume One, 2003, Victoria and Albert Museum, object summary
  5. What is Property? An Inquiry into the Principle of Right and of Government, P.-J. Proudhon, 1840 (Project Gutenberg ebook 360), Project Gutenberg, First Memoir, ch. V

The same shape elsewhere

Researched, edited and approved by Rory Hansen before publishing. Last reviewed October 14, 2026. How we research

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