Halloween symbols
Where the symbols of Halloween came from: jack-o’-lanterns, black cats, witches, bats and the rest, and the disputed story of the festival itself.
Halloween is the evening of 31 October, the eve of All Saints’ Day. The pages here follow its symbols back to the oldest records we could read: the Jack-o’-lantern, the soul cake, the Bonfire, apple bobbing, the Ghost, the black cat and the witch’s hat and broom among them. Where the festival itself came from is disputed, and each view below is given with the name of the person who holds it.
- Jack-o’-lanternA lantern carved with a face, now usually a pumpkin. In Ireland and Scotland the older Halloween lantern was a hollowed turnip, and the name first belonged to a wandering light seen over bogs.
- Black catThe witch’s cat of Halloween. In English witch lore the devil gave witches familiars, often cats; in English sailors’ lore and in Japan a black cat is a sign of good fortune.
- Witch’s hat and broomThe Halloween witch in a tall pointed hat, riding a broom. Witches on brooms were first drawn in a French manuscript of 1451; where the pointed hat came from is disputed.
- BatA bat in flight, the night creature of Halloween decorations. Two explanations are given for it: the vampire legend, and bats drawn to the insects around Samhain bonfires.
- Skeleton and skullA human skeleton or skull: the dead made visible. Its place in Halloween goes back to the late-medieval Dance of Death and to the Christian days for the dead that follow Halloween.
- GhostA ghost in a white sheet, the dead returned. At Halloween it recalls the Irish belief that the souls of the dead came home that night; the sheet is the churchyard ghost of English folklore.
- Spider and webA spider hanging from its web, the sign of a dusty, empty house. In the British folklore Brand collected, spiders were lucky and killing one was unlucky.
- OwlAn owl, the night bird of Halloween. Roman and later English writers took its cry as an omen of death; in Greek myth it was the bird of Athena, goddess of wisdom.
- Grim ReaperDeath as a skeleton carrying a scythe. The figure comes from the pictures of Death that followed the Black Death in late-medieval Europe.
- BonfireA bonfire lit on Halloween night. Hallowe’en fires were recorded in the Scottish Highlands and in Wales, and 31 October is still a bonfire night in Ireland; in England the fires moved to 5 November.
- Soul cakeA small cake given on All Souls’ Day to poor people who went door to door “a souling”, begging for it in return for prayers for the dead. It is often named as a forerunner of trick-or-treating.
- Apple (apple bobbing)An apple floating in a tub of water: ducking or bobbing for apples, a Halloween party game recorded in England, Scotland and Ireland, where apples and nuts were the food of the night.
Samhain, and the argument over it
Samhain was the Gaelic festival at the onset of winter, when, Pamela O’Neill of the University of Sydney writes, the harvest was over and the last livestock were brought back from the summer pastures. Even its pronunciation varies: Lisa Bitel gives SAW-en, O’Neill sah-win, and Jack Santino Sah-ween.
The account most readers know is Santino’s, from a lecture at the Library of Congress in 1982: “Halloween had its beginnings in an ancient, pre-Christian Celtic festival of the dead”, which the church tried to replace by setting the feast of All Saints on 1 November. The Library’s research guide on Halloween still opens with it. James Frazer, in The Golden Bough (1922), thought the Celts dated the beginning of their year from Hallowe’en, and that the souls of the dead were once believed to revisit their old homes that night.
Lisa Bitel, a historian of medieval Ireland at the University of Southern California, disagrees: “Samhain is Irish. Halloween isn’t.” What the pagan Irish did on 31 October is lost, she writes, because the only evidence is legends written by churchmen around AD 800, some 400 years after the Irish began turning Christian. Those tales treat Samhain as a night when the otherworld, the sí, opened to mortals, but they do not link it with death and horror, and they describe bonfires at Beltaine, not at Samhain. In her account it was 19th-century folklorists, John Rhys at Oxford and Frazer at Cambridge, who drew the line from Samhain to Halloween.
Stephen Winick of the Library of Congress, updating Santino’s essay in 2013, takes a middle position: it remains “pretty certain” that Halloween began with Samhain, but the idea that Samhain was the Celtic new year “only arose in the late nineteenth century”. O’Neill writes that Halloween “seems to have been layered with” the older festival.
All Hallows’ Eve and souling
The name is Christian. All Saints’ Day, 1 November, became All Hallows Day in English, and the night before became All Hallows Eve. Bitel credits Pope Gregory IV with fixing the feast on 1 November in 834, and says he “knew nothing of ancient Irish seasonal holidays”. Regina Hansen of Boston University puts the move under Gregory III in the mid-eighth century, “so that it coincided with the date of Samhain”, though she adds that there is disagreement about whether that was the purpose. On 2 November, All Souls’ Day, people prayed for the souls of the dead.
In Staffordshire, John Brand’s Popular Antiquities records, the poor went “a souling” from parish to parish, begging soul cakes; a note in the 1853 edition adds that the custom continued in parts of the county, with peasant girls going to farmhouses singing “Soul, soul, for a soul cake”. Santino traces trick-or-treating to souling and to mumming, performing antics in exchange for food and drink. Hansen calls the link a popular belief that not every scholar accepts.
From turnips to pumpkins
In Ireland, the National Museum of Ireland writes, turnips were carved into scary-faced lanterns, carried about or set on windowsills. In 1943 a teacher near Fintown, Co. Donegal, gave the museum one of the type always made there around 1900. The light inside, O’Neill adds, was usually a smouldering peat or ember. The name comes from the tale of Jack, welcome in neither heaven nor hell. A pupil at Clonfinlough, Co. Offaly, wrote a version down for the Schools’ Collection in the late 1930s: turned away from heaven and purgatory, Jack struck the devil, who left a red mark on his face, “and the red mark is a light”.
Bitel accepts the turnips and disputes where they began: jack-o’-lanterns, she writes, are “neither ancient nor Irish”, and carving turnips in early November probably started in England, with All Saints’ Day and Guy Fawkes Day. On the museum’s account and on hers, the pumpkin is the American part. In 1844 John Greenleaf Whittier remembered carving “wild, ugly faces” in pumpkins as a New England boy, “with a candle within”, in a poem in praise of the Thanksgiving pumpkin pie.
Across the Atlantic
Hansen dates Halloween’s arrival in the United States to the 1840s, with immigrants from Ireland and Scotland who brought dancing, masquerading, fortune-telling games and, in some places, parading the neighbourhood for treats. O’Neill points to the Highland Clearances and the Great Irish Famine, which moved much of the rural population of Scotland and Ireland to North America, often against their will. Bitel counts the English and many other immigrant groups among those who brought the customs over. In North America, she notes, pumpkins were plentiful and easier to carve than turnips.
Guising, and trick or treat
Guisers went from house to house in disguise. On South Uist, O’Neill writes, their masks were made of sheepskin with painted features, sometimes with a sheep’s skull added; householders had to guess who they were, and the guisers left with a scone or other food. The National Museum of Ireland says trick-or-treating “stems from this tradition”. Bitel says the guisers of medieval Scotland, who begged for soul cakes on All Souls’ Day, “probably became” the costumed children. In America, Hansen writes, towns and churches of the early 20th century tried to curb Halloween pranks with parties for children and, eventually, trick-or-treating. In 2012 researchers cited the Lethbridge Herald of 4 November 1927 as the first to print the words “trick or treat”; Belinda Crowson of the Lethbridge Historical Society later said an earlier printing had turned up, she believed somewhere in western Canada.
Witches, cats, bats and skeletons
“To this day, witches, ghosts, and skeleton figures of the dead are among the favorite disguises,” Santino said in 1982. A tract Brand quotes gives the witch of a nurse’s tale “a black cat, two or three broomsticks”. The Bat’s place in Halloween, the US Fish and Wildlife Service says, comes largely from the vampire myth, though only 3 of more than 1,300 bat species are vampire bats. The Skeleton and skull and the Grim Reaper go back to the Dance of Death, a drama of the mid-14th century that Hans Holbein the Younger made into a series of woodcuts. According to the Fish and Wildlife Service, the ancient Romans believed an Owl could tell of a coming death, and a spider’s web is easiest to find in September and October, when many spiders start mating.
Día de Muertos is its own holiday
The Library of Congress calls Día de Muertos “a related but different holiday”. It formed in colonial Mexico, where All Souls’ Day mingled with several Indigenous celebrations of the ancestors, and its name means “Day of the Dead” but also “Day of the Ancestors”. It is kept across most of Spanish-speaking America, especially in Mexico. Among Mexican Americans, Winick writes, All Souls’ Day, or Día de los Muertos, is the day most widely celebrated, and each November the Library’s Hispanic Reading Room sets up an altar for it. These pages don’t treat it as part of Halloween; the skeleton page names it only to tell the two apart.
Sources
- Samhain: the true, non-American origins of Halloween (Pamela O'Neill, 2025), Pamela O'Neill, Sir Warwick Fairfax Lecturer in Celtic Studies, University of Sydney; The Conversation, 27 October 2025, The Conversation, paragraphs on Samhain, turnip lanterns, guising and emigration
- The ancient Irish get far too much credit for Halloween (Lisa Bitel, 2024), Lisa Bitel, Dean's Professor of Religion and Professor of History, University of Southern California; The Conversation, 29 October 2024, The Conversation, article text
- Halloween: The Fantasy and Folklore of All Hallows (Jack Santino, 1982; updated 2009), Jack Santino, lecture at the Library of Congress, 29 October 1982, published by the American Folklife Center; web version as archived January 2016, Library of Congress, American Folklife Center (Internet Archive copy), essay text
- Halloween & Día de Muertos Resources (Stephen Winick, Library of Congress research guide), Stephen D. Winick, American Folklife Center, Library of Congress research guide, introduction (updated 2024), Library of Congress, Introduction; Community Altar/Ofrenda
- Welcome to Folklife Today, and…Happy Halloween! (Stephen Winick, 2013), Stephen Winick, Folklife Today blog, American Folklife Center, Library of Congress, 30 October 2013, Library of Congress, post text
- The Golden Bough, abridged edition (James George Frazer, 1922), Sir James George Frazer, The Golden Bough: A Study in Magic and Religion, abridged edition (New York: Macmillan, 1922), chapter LXIII, section 6, The Hallowe'en Fires, Internet Archive, chapter LXIII, section 6
- Tricking and treating has a history (Regina Hansen, 2017), Regina Hansen, Boston University; The Conversation, 25 October 2017, The Conversation, article text
- Observations on the Popular Antiquities of Great Britain, vol. 1 (John Brand, ed. Henry Ellis, 1853), John Brand, Observations on the Popular Antiquities of Great Britain, arranged and revised by Sir Henry Ellis, vol. 1 (London: Bohn, 1853), Internet Archive (University of Toronto copy), Allhallow Even, pp. 390 and 393–394
- Observations on the Popular Antiquities of Great Britain, vol. 3 (John Brand, ed. Henry Ellis, 1853), John Brand, Observations on the Popular Antiquities of Great Britain, arranged and revised by Sir Henry Ellis, vol. 3 (London: Bohn, 1853), Internet Archive (University of Toronto copy), Sorcery or Witchcraft, pp. 6–7
- Ghost turnip, F1943.350 (National Museum of Ireland, Irish Folklife Collection), National Museum of Ireland, Irish Folklife Collection, object F1943.350, collection page, National Museum of Ireland, object F1943.350, description
- Ghost turnips, the púca, fortune-telling and evil abductions (Clodagh Doyle, National Museum of Ireland), Clodagh Doyle, Keeper of the National Folklife Collection, National Museum of Ireland news (2023; list first published October 2020), National Museum of Ireland, 3. Guising; 5. Scary lanterns
- Jack-O'-Lantern, Clonfinlough, Co. Offaly (The Schools' Collection, 1937–39), The Schools' Collection, Volume 0812, page 221, school at Clonfinlough, Athlone, Co. Offaly; National Folklore Collection, University College Dublin, dúchas.ie (National Folklore Collection, UCD), transcript
- The Pumpkin (John Greenleaf Whittier, 1844), John Greenleaf Whittier, "The Pumpkin" (1844), in The Works of John Greenleaf Whittier, vol. II, Poems of Nature, Internet Archive (Project Gutenberg text), The Pumpkin, stanzas 3–4
- Lethbridge no longer linked to the first "trick or treat" in print (My Lethbridge Now), My Lethbridge Now, news report quoting Belinda Crowson, President of the Lethbridge Historical Society, My Lethbridge Now, article text
- Wings, Whiskers, and Webs (US Fish and Wildlife Service, 2025), US Fish and Wildlife Service, story, September 2025, US Fish and Wildlife Service, sections on bats, owls and spiders
- Dance of Death: The Child (Hans Holbein the Younger; Cleveland Museum of Art, 1929.169), Cleveland Museum of Art, collection record 1929.169, woodcut designed by Hans Holbein the Younger, cut by Hans Lützelburger, Cleveland Museum of Art, object description
Last reviewed September 30, 2026 by Rory Hansen. How we research