Old SymbolsWhere every symbol began

Plate 1 A hairless dog with large upright ears

Xoloitzcuintle

Mexico’s hairless dog. In the Mexica belief recorded by Sahagún, a dog carried the dead across a river on the way to Mictlan; today the xolo is the dog of Día de Muertos.

Day of the Dead symbols. Also called Mexican hairless dog, xolo, xoloitzcuintli.

Meaning

The xoloitzcuintle (show-low-eats-queen-tlee, as the American Kennel Club spells it out), also called the Aztec dog or the Mexican hairless, has no hair because of a spontaneous genetic mutation, Gaceta UNAM explains, citing Raúl Valadez Azúa of UNAM’s Institute of Anthropological Research. It translates the name as “strange dog” or “wrinkled dog” in Nahuatl; the AKC connects it with Xolotl, a god shown with a dog’s head. In the Mexica belief that the friar Bernardino de Sahagún recorded in the sixteenth century, a dog carried the dead across a river in the underworld. INAH writes that the xolo remains a symbolic bridge between worlds, whose image appears in ritual, art and community life, above all at Día de Muertos. On children’s ofrendas, INPI says, a toy izcuintle dog should not be missing, to help the small souls cross the river Chiconauhuapan, the last step before Mictlan.

Origin and history

The fullest account of the dog’s task is in the appendix to Book 3 of Sahagún’s Historia general de las cosas de Nueva España, compiled from the testimony of Nahua elders. The dead person, Sahagún writes, was made to take along “a little dog with reddish hair”, a loose cotton thread around its neck, because the dead swam across a river of the underworld, Chicunaoapa in his spelling, on the back of a dog. Dogs lived on the bank of that river. When a dead man arrived, the dog that knew its master swam across and carried him over, and “for this reason the natives used to keep and raise little dogs”. Only a reddish dog would serve: the black dog said “I have washed myself”, the white dog “I have stained myself black”, and neither could carry the dead across. The dog was then killed and burned with its master.

Sahagún’s dog is reddish-haired, not the hairless breed. Valadez Azúa draws the same line: in pre-Hispanic Mexico dogs in general were considered the companions of the dead on their way, and “in the popular imagination” the xoloitzcuintle is the breed that has been given that task. INAH, describing a Día de Muertos parade organised by the Museo Regional de Colima, writes that various historical sources say this dog accompanied souls toward Mictlan by helping them across the river where their journey through the underworld began.

The breed is ancient. Ceramic dogs found in Colima in the early twentieth century show, Valadez Azúa says, that hairless dogs appeared about two thousand years ago in a strip of western Mexico from Nayarit to Guerrero. The oldest bones are from the seventh century AD, from funerary contexts, where hairless dogs appear with other breeds as guardians of sacred places. From the west they spread south as far as South America, and to the centre, to Tula and Teotihuacan, reaching the Maya area about a thousand years ago.

Near extinction and revival

The American Kennel Club tells the breed’s later history. The conquistadors’ taste for dog meat nearly wiped the xolo out, and European breeds so overran the native dogs that by the early nineteenth century it survived only in remote mountain villages. A Mexican dog called Mee Too was registered with the AKC in 1887. After the revolution of 1910 interest in Indigenous culture revived, and Frida Kahlo and Diego Rivera were often shown with the hairless dogs, in photographs and on canvas. In the mid-1950s an expedition into the countryside found ten dogs that became the foundation of the modern breed. The xolo is now Mexico’s national dog, and in 2017 Pixar’s film Coco, whose xolo is called Dante, made it known around the world. The dog page follows dogs in other traditions.

See also

Ofrenda (altar), Mictlantecuhtli, Cempasúchil (Mexican marigold), Pan de muerto, Papel picado, Copal.

Sources

  1. Historia general de las cosas de Nueva España, vol. 1 (Bernardino de Sahagún, ed. Bustamante, 1829), Bernardino de Sahagún, Historia general de las cosas de Nueva España, ed. Carlos María de Bustamante, vol. 1 (Mexico: Alejandro Valdés, 1829), Book 3, Appendix, ch. 1, Internet Archive, Book 3, Appendix, ch. 1, pp. 262–263
  2. Xoloitzcuintle, ¿compañero de vida y muerte? (Gaceta UNAM, 2023), Gaceta UNAM, 30 October 2023; interview with Raúl Valadez Azúa, Instituto de Investigaciones Antropológicas, Universidad Nacional Autónoma de México, article text
  3. El xoloitzcuintle: un sobreviviente de dos mil años de edad (Gaceta UNAM), Gaceta UNAM, 2021; interview with Raúl Valadez Azúa, Instituto de Investigaciones Antropológicas, Universidad Nacional Autónoma de México, article text
  4. Xoloitzcuintle: compañero en el viaje al Mictlán (INAH, foto del día, 2025), Instituto Nacional de Antropología e Historia, foto del día, November 2025, Instituto Nacional de Antropología e Historia, photo note
  5. ¿Conoces el significado de los elementos de una ofrenda de Día de Muertos? (INPI), Instituto Nacional de los Pueblos Indígenas, article, Instituto Nacional de los Pueblos Indígenas (Gobierno de México), El izcuintle
  6. Xoloitzcuintli History: From Ancient Aztec Dog to Loving Companion (American Kennel Club), American Kennel Club, Expert Advice, breed history, American Kennel Club, breed history

The same shape elsewhere

Researched, edited and approved by Rory Hansen before publishing. Last reviewed October 9, 2026. How we research

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